Rewiew the video of the first Webinar on YouTube!
Series of Online Seminars April-May 2021
This series of Webinars intends to start a reflection with academic and independent researchers, artists, cultural providers, public and private funders, and policymakers about the role of media, visual and performing arts in the promotion of intercultural dialogue.
The first Webinar will focus on the one hand on the importance of culture in the process that leads from integration to inclusion and in the building of a positive narrative; on the other hand, it will concentrate on migration and the circuits of film culture.
Thursday April, 15 – 6 p.m CET
StreamYard Platform and Facebook live streaming
– Angelique Petrits (European Commission, Unit C.2 – Legal Pathways and Integration) From integration to inclusion: why culture matters and how to build a positive narrative
– Giuseppe Fidotta (Concordia University Canada): Migration and the Circuits of Film Culture: A Southern Perspective
– Ruggero Eugeni (Università Cattolica del Sacro Cuore)
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The research “Migrations-mediations: arts and communication as resources for intercultural dialogue” tackles the different uses of media, theater and performance, art and culture in the management of migratory phenomena and the promotion of intercultural dialogue.
Dopo dieci anni dall’istituzione del Forum della Città Mondo e dopo sei anni di programmazione culturale di Milano Città Mondo – palinsesto culturale del Mudec – Museo delle Culture di Milano – è arrivato il momento di riflettere sul cammino percorso con le comunità patrimoniali della città e in collaborazione con associazioni e persone con background migratorio.
Le esperienze degli anni trascorsi, gli incontri, le sperimentazioni e tutti i dialoghi di quest’anno sul tema dell’identità e della partecipazione di MCM#06Remix, hanno condotto a organizzare questo convegno, che vuole essere un momento di ascolto, confronto e scambio di metodi e pratiche fra operatori culturali attivi su scala internazionale e un confronto sul ruolo dei musei delle culture ed etnografici in relazione alle comunità patrimoniali dei cittadini. Vuole essere un momento per riflettere sui temi della rappresentanza, dell’accessibilità e della decolonizzazione, che dedicherà un panel anche alle esperienze di pratiche artistiche urbane.
La conferenza si terrà online in lingua inglese nella giornata di venerdì e vedrà la partecipazione di musei internazionali e di rappresentanti di esperienze cittadine.
Sabato sarà in presenza presso lo Spazio delle Culture “Khaled al-Asaad” del Mudec e in streaming.
Ideazione, cura e coordinamento del progetto:
Anna Maria Montaldo, Bianca Maria Aravecchia, Anna Chiara Cimoli,
Silvia Iannelli, Carolina Orsini
Clicca qui per il programma e le modalità di partecipazione.
The NEB Università Cattolica project #NEBBuildsCommunityAesthetics organizes 3 Multipolar Conversations with national and international scholars and experts focusing on the NEB’s three pillars: Beautiful, Inclusive, Sustainable.
The first event, Building the Inclusion through the Experience of Beauty, in continuity with the research project Migrations|Mediations will be held on November, 24th at 2.30 pm CET and will discuss the key role of Beauty as a resource for building relationships and inclusion, as a quality-generating experience and as a dialogue between the built environment and the ecosystems.
Here the program of the Conversation:
– Antonella Sciarrone Alibrandi, Vice Rector, Università Cattolica
– Massimo Gaudina, Head of the European Commission’s Regional Office in Milan
– Nadia Bellardi, Transcultural media consultant, Community Media Forum Europe
– Nicola Pellegrini and Ottonella Mocellin, Visual Artists
– Nikos Papastergiadis, Director of the Research Unit in Public Cultures
and Professor in the School of Culture and Communication at the University of Melbourne
-Pierluigi Musarò, Full Professor of Sociology at the University of Bologna
Ruggero Eugeni, Full Professor in Media Semiotics, Università Cattolica
NECS Conference 2021 will take place online from June 7th to 13th.
This year’s theme, Transitions: Moving Images and Bodies seeks to explore the relations between media and the forms of mobility—of people, images, narratives, and identities—that characterize our contemporary situation. The conference takes the idea of “transit” in the broadest sense as a “keyword for interpreting contemporary audio-visual media.” Mobility and migration, of course, take various forms with various levels of privilege and/or regulation. We consider this a particularly timely conference topic given the wave of rising populist nationalism in recent years, with its investment in the reinforcement of borders and the increased control of mobility, as well as the impacts (foreseeable and unforeseeable) of the global pandemic on these political trends.
Read more and discover the program here.
Wednesday May, 19 – 6.00 p.m. CET
Third Webinar of Migrations | Mediations. Promoting Intercultural Dialogue through Media, Visual and Performing Arts
Wednesday May, 19 – 6 p.m CET
StreamYard Platform and Facebook live streaming
We tell a different story – the role of documentary film, alternative and community media in reporting migration
– Daniela Drastata, Chair of the EBU TV Intercultural and Diversity Group, Senior editor at HRT (Croatian National Radio and Television), Executive co-producer of the EBU New Neighbours series
– Clara Dominguez, Division Director & VOA Director of Partnerships, Latin America Broadcasting, Voice of America
– Fran Atopos Conte, journalist and director, Termini TV
– Nyima Jadama, TV host of Nyimas Bantaba at ALEX Berlin
– Nadia Bellardi, transcultural media consultant https://www.transcultural-consulting.org
– Alice Cati (Università Cattolica del Sacro Cuore)
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Call for papers
“Comunicazioni Sociali. Journal of Media, Performing Arts and Cultural Studies”
Migrations / Mediations. Promoting Transcultural Dialogue through Media, Arts and Culture
edited by Pierluigi Musarò, Nikos Papastergiadis, Laura Peja
(n. 1/2022, due in April 2022)
Migration has been a phenomenon throughout human history. However, as a result of economic hardship, conflict and globalization, the number of people now living outside their country of birth is higher than ever. It has also become a key focul point for the media. Even though irregular immigration constitutes only a minor part of the total immigrant population in the EU, it is the one most spectacularized by the media. This over-mediatization of the phenomenon leads to a consistent discrepancy between the perception and the reality of the issue, and this distance has favored the shift of migration issues from ‘low politics’ to ‘high politics’, fueling an emergency management and a securitarian approach.
We live in a deeply mediatized world. Media have an important role in influencing political attitudes and in framing public debates towards migration and asylum. In the last decade, the representation strategies and discursive practices enacted by a wide range of state and non-state actors have been presenting irregular migrants crossing borders as an ‘emergency’ to be managed in terms of a wider social, cultural and political ‘crisis’. These media representations have outstripped the reality of the crisis. As a consequence, the public anxiety about migration and asylum-seeking in Europe, is increasingly shaped by the political rhetoric of Europe as being besieged by people fleeing conflict or seeking a better life. Institutional and political actors have stoked public anxieties and security concerns, endorsing emergency narratives, aggressive policing and militarized border control, which in turn has generated a fertile breeding ground for xenophobic, populist reactions.
On the other side, it is now widely recognized that culture, media and the arts have been transformed by migration and mobility. These recent cultural and aesthetic transformations have offered another way of seeing identity, politics and society. The EU Member States and the EU itself, have been summoned to meet these challenges. There has been growing recognition of the ways in which media, the arts and performative practices are able to facilitate intercultural dialogue among migrant and host communities – thereby empowering their participation in social life –, and to promote an understanding of the affirmative role of cultural diversity (different ethnic, cultural, religious and linguistic backgrounds and heritage) within European societies, and also of the need to question the boundedness of identities and cultures. These critical processes lead us to address the possibilities of a transcultural dialogue – one that opens up the ideas of belonging and sets up new positions for speaking that do not intersect with ethnic and national identities.
Media, performing arts and culture can foster innovative practical actions, and also alternative imaginaries on social phenomenon and spaces of collective participation. Indeed, different “liberal” and “applied” arts (film, theatre & performance, photography, crafts, architecture, design, etc.) as well as emerging cross-media forms (interactive and social media, games, street art, circus and performative practices, etc.), have a pivotal role to play in this direction.
Despite this high potential for opening up new perspectives the policies in the EU are caught in old traps: national cultural policies affect cultural productions by institutionalizing the process of othering through rhetorical discourses and hegemonic representations; the projects and practices in this field are often vital but fragmented and contained within specific areas and territories; the skills and professional figures associated with these processes are poorly defined and have no particular training centres; and finally, the evaluation methods of the initiatives are variable and lack consistent protocols. The combination of all these factors produces a fundamental weakness in a sector that in any case, remains extremely lively and promising.
On this basis, this special issue of Comunicazioni Sociali intends to invite international scholars, artists and practitioners to discuss through interdisciplinary and transdisciplinary perspectives 1) the role of media, arts and culture in the management of policies and practices devoted to migration phenomena; 2) the ways and the degrees in which media, arts and culture have been considered as critical tools for transcultural dialogue; 3) the ways in which media, arts and culture have been used in processes of artistic creation within the framework of the “aesthetic cosmopolitanism”; 4) ways through which models of action in territories oriented toward bringing host populations into contact with migrants and refugees can be developed; 5) the specific set of tools and methodology that have been developed to assess social, cultural and economic impact of multi-, inter- and transcultural dialogue activities through arts, media and culture.
We invite abstracts on any of the following topics, but not exclusively*:
- Practices of empowerment of multi-, inter- and transcultural dialogue through media, arts and performative activities.
- Practices of media and performing arts as challenging spaces of dialogue, resistance and activism.
- The role of immigrant/diaspora/minority media.
- Participatory media and arts projects devoted to working directly with refugee and migrant groups in socially engaged practice.
- Audience development strategies aiming at promoting cultural diversity.
- Employment opportunities for migrants in cultural and creative industries.
- Comparisons between the approaches of public and private media.
- Practices and experiences in assessing projects in the field of multi- inter- and transcultural dialogue
* Please note this is not an exhaustive list of topics, and we will review any abstracts related to the media and migration/immigration/transculturalism and associated topics. Especially welcome are submissions rooted in media studies, visual, performance and cultural studies, critical data studies, postcolonial studies and from scholars who build bridges between academia, arts, policy, media system, public debate, and stakeholders’ networks.
Proposals in English (between 300 and 400 words of length, excluding bibliography) are required to illustrate the objectives of the paper, the research question and the methodology adopted. They have to be sent, with a short biographical note, to email@example.com; firstname.lastname@example.org; email@example.com, by June 1st, 2021 —.
Authors will be notified of proposal acceptance by June 15th, 2021.
If the proposal is accepted, the author(s) will be asked to submit the full article, in English, by October 1st, 2021.
Submission of a paper will be taken to imply that it is unpublished and is not being considered for publication elsewhere.
The articles must not exceed 5,000/6,000-words.
Contributions will be submitted to double blind peer reviews.
The issue number 1/22 of Comunicazioni Sociali will be open access, and will be published in April 2022.
“Comunicazioni Sociali” is indexed in Scopus and it is an A-class rated journal by ANVUR in: Cinema, photography and television (L-ART/06), Performing arts (L-ART/05), and Sociology of culture and communication (SPS/08)
Second Webinar of Migrations | Mediations. Promoting Intercultural Dialogue through Media, Visual and Performing Arts
Monday April, 26 – 6 p.m CET
StreamYard Platform and Facebook live streaming
Beyond the Emergency. Media Representations, Social Encounters and Transculturality
– Pierluigi Musarò (Alma Mater Università degli studi di Bologna – Atlas of Transitions)
– Guglielmo Schininà (IOM – UN migration)
– Laura Peja (Università Cattolica del Sacro Cuore)
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